Marilyn Wood
Carl Swanson II
Frank Italiano & The Great
Rivers
Festival of Arts
Karen Gersch
Sarah Solie Shannon
Suzanne Swanson Wagner
Kathleen (Van De Veere)
Weisbecker
April Farrell
Jamie Brubaker
Catherine Treu
Chelsea
Hurlburt
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Marilyn choreographed the first Community Theater musical, Bells are Ringing, and continued to choreograph all of the Community Theater musicals for many years. She helped found The Great River Festival Arts, along with Frank and Lenore Italiano. Marilyn Choreographed dances that her students have performed with the GRFA Symphony Orchestra in La Crosse at Myrick Park and Dodgeville, Wisconsin. The dance school was operated under the co-directorship of Marilyn, her daughter, Julie Olson, and Suzanne Swanson Wagner. Julie and Suzanne both started dance lessons with Marilyn at the age of five. Suzanne became the artistic director and owner in 1996 when Marilyn retired after 50 years of teaching. |
![]() I was offered a dance scholarship to the Dance Program at St. Mary's College in Winona, MN. I did a summer apprenticeship at Jacob's Pillow in the Berkshire Mountains of MS, very much the hub of the dance world with numerous classes with guest artist and performances by national and international dance companies. After college, I went on to dance professionally with the Wisconsin Dance Co. and then with the Milwaukee BalletCo. After successfully auditioning for an Opera Ballet Co. in Germany, I retired from dance due to a back injury. I went back to school to receive a Doctorate in Pharmacy. Although no longer dancing, I stay active with Tai Qi. I am married and we have a daughter. Some of my fondest memories include dancing with my sister Suzanne and "tossing her around"; performing in the recital and then in the Dream Ballet in Oklahoma with a severely sprained foot. I had to wear a hard-soled shoe on that foot to protect it, with a white sock pulled over the top. Between dances I had to plunge my foot into a bucket of ice. I was so honored to return to La Crosse to be on the GRFA Dance Faculty. KUDOS to Marilyn! I still retain my flexibility and appreciation of music and dance. Suzanne, I am so proud of you for caring on the tradition of Marilyn's. I send you my love! |
![]() When I think back to memories
of growing
up, the days at Marilyn School of Dance top my list. I began at
the
age of six, as I proudly pranced on stage as a lime green
"Glowworm".
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![]() After completing a one-year dance
scholarship
at EDGE Performing Arts Center in Los Angeles in 1992, I've been lucky
enough to be performing professionally ever since. I have danced
in Japan, India and for Holland American Cruise Lines. I've
worked
with many of the leading "commercial" choreographers in LA.
Recently,
I have branched out into musical theater in Southern California.
Some of my favorite shows have been 42nd Street, The Who's
Tommy,
Will
Rogers Follies and Cabaret- the first three of which I was
the
assistant choreographer. Although, because I started a little late on
the
"triple threat" thing, I'm still waiting for my big break!
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![]() Sarah is a graduate of Onalaska High
School
and the University of Wisconsin-Madison. She is thrilled to be
making
a living in musical theater and currently resides in Los Angeles,
CA.
She has been "On Broadway" in the original cast of Disney's "Beauty and
Beast" and "Steel Pier". She is currently in the touring company
of "Titanic".
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Oct. 16th and 17th the La Crosse Public Library hosted the event. As I entered the stage room, my eyes searched for a regal stature with dark Italian features and a face that showed a sophistication of years conducting and playing the greatest music ever written. But a meek and gentle man came to greet me, not so tall and slowed by a long life rich in experience and grand adventures. Francesco Italiano was the first born American of his family and his parents groomed him to become a priest or a doctor. He chose medicine and began to study chemistry. However, music was calling him. A teacher suggested the flute, but his parents purchased a clarinet from the Sears & Roebuck catalog as it was less expensive. A career in music was not considered probable, but became an invested hobby for the young Italiano. That investment included summer workshops with such legions as Ray DeVork and he was the conducting pupil of Leonard Bernstein. Francesco graduated with a teaching degree in science and he left his college years with a legacy: the Carol College Orchestra, which he organized and conducted. It is still in existence to this day. As it is with many Midwestern school districts, teachers needed to have more to offer the system than the teaching of the 3R's and Francesco was hired to teach music as well as science in Cashton and then in Richland Center, WI. He then felt called to serve his country at war in his early 40's, leaving wife and children to join the Navy. While in service he conducted the Shangai (China) Orchestra and the Navy's Seventh Fleet Flag Band. In 1960, Francesco Italiano came up with a revolutionary idea: to bring about a special training of young musicians by coupling talented students with professional artists for intensive music training. An idea that has become a part of major symphonies around the world was birthed and orchestrated in La Crosse as the Coulee Region Festival of Arts. The Festival of Arts also included classical dance with a program that was created by co-founder Marilyn Wood, who was also the founder and director of La Crosse's first dance school, Marilyn School of Dance. A very young talent grew up in dance as a part of the program. Our very own Suzanne Swanson Wagner became one of the Festival of Arts' longest attendees. In 1976, the festival was renamed the Great River Festival of Arts, which co-sponsored with the Symphony of the Hills, The Symphony School of America (both founded by Italiano). The School performed a fabulous summer concert series and brought in special artists from the Vienna State Opera, Pacific Ballet, concert pianists and violinists and the like; as well as high lighted the local talent in dance and music. This rural region of Wisconsin had once been referred to by a national magazine as the "cultural dust bowl of America", but by August of '67 was mentioned in TIME as, "Known and respected as champions of art, the people of La Crosse are also known as a skilled labor force." As I visited with the Italianos, and perused the massive collection of memorabilia, seeing the faces of the many lives he had touched, my affection for this man grew. I saw a man who is very much a visionary, who brought about a great many events, had enriched the lives of thousands, and who would long after be responsible for the enrichment of perhaps millions as the seeds of his life spring up in generations to come. |